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This story was written inand was collected in At the Mountains of Madness and Other Novels in A Fragment of a Sexton's Tale.
Selected Poems, edited with an introduction and notes by Richard Holmes, pp. The following poem was composed by Coleridge inand first published in the journal The Friend in Coleridge explains in his preface that his own fragment of this ballad is based upon a poem which Coleridge summarizes written by William Wordsworth.
The language was intended to be dramatic; that is, suited to the narrator; and the metre corresponds to the homeliness of the diction. It is therefore presented as the fragment, not of a Poem, but of a common Ballad-tale. Whether this is sufficient to justify the adoption of such a style, in any metrical composition not professedly ludicrous, the Author is himself in some doubt.
At all events, it is not presented as poetry, and it is in no way connected with the Author's judgment concerning poetic diction. Its merits, if any, are exclusively psychological.
The story which must be supposed to have been narrated in the first and second parts is as follows: With her consent, and by the advice of their common friend Ellen, he announces his hopes and intentions to Mary's mother, a widow-woman bordering on her fortieth year, and from constant health, the possession of a competent property, and from having had no other children but Mary and another daughter the father died in their infancyretaining for the greater part her personal attractions and comeliness of appearance; but a woman of low education and violent temper.
The answer which she at once returned to Edward's application was remarkable—'Well, Edward! The outlines of the Tale are positive facts, and of no very distant date, though the author has purposely altered the names and the scene of action, as well as invented the characters of the parties and the detail of the incidents.
Edward, however, though perplexed by her strange detractions from her daughter's good qualities, yet in the innocence of his own heart still mistook her increasing fondness for motherly affection; she at length, overcome by her miserable passion, after much abuse of Mary's temper and moral tendencies, exclaimed with violent emotion—'O Edward!
It is I that love you! Irritated by this almost to frenzy, the woman fell on her knees, and in a loud voice that approached to a scream, she prayed for a curse both on him and on her own child. Mary happened to be in the room directly above them, heard Edward's laugh, and her mother's blasphemous prayer, and fainted away.
He, hearing the fall, ran upstairs, and taking her in his arms, carried her off to Ellen's home; and after some fruitless attempts on her part toward a reconciliation with her mother, she was married to him. I had been reading Bryan Edwards's account of the effects of the Oby witchcraft on the Negroes in the West Indiesand Hearne's deeply interesting anecdotes of similar workings on the imagination of the Copper Indians those of my readers who have it in their power will be well repaid for the trouble of referring to those works for the passages alluded to ; and I conceived the design of shewing that instances of this kind are not peculiar to savage or barbarous tribes, and of illustrating the mode in which the mind is affected in these cases, and the progress and symptoms of the morbid action on the fancy from the beginning.
On the first of these was the name, and dates, as usual: On the hedge-elms in the narrow lane Still swung the spikes of corn: Up through that wood behind the church, There leads from Edward's door A mossy track, all over boughed, For half a mile or more.
And from their house-door by that track The bride and bridegroom went; Sweet Mary, though she was not gay, Seemed cheerful and content. But when they to the church-yard came, I've heard poor Mary say, As soon as she stepped into the sun, Her heart it died away.
And when the Vicar join'd their hands, Her limbs did creep and freeze: But when they prayed, she thought she saw Her mother on her knees.Apa title page template aetna afa plan summaries legal arguments for physician assisted death arundel high summer assignments hot topics in food microbiology how to subtract fractions with a post office advice critically discuss essay example family trip book 5 answer key importance of english language in today.
“An Arundel Tomb” was the last poem that Larkin wrote shortly before his death after visiting a medieval tomb in Chichester. (1) The poem is about the existence of eternal love after death and a possibility of hope and faith. The poem consists of seven stanzas in six lines.
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Discussing Presentation Of Death In Arundel Tomb Essay add: , / Views: Larkin was essentially an autobiographical poet of his time who wrote in a tradition of realism.
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