In the Theban play. When Laius and Jocasta discovered the fate of their unborn child, Oedipus, was to kill his father and marry his mother, Laius and Jocasta tried to cheat fate. By placing Oedipus on a hill and inserting a spike into his foot and through the ground Jocasta and Laius had hoped to kill their child, and cheat their fate.
She was faced with a strong dilemma. The law of man, the word of her uncle the king, demands that her brother's body remains unburied in the open with no funeral rights, to be savaged by animals. She buries the body and fa Antigone is a real heroine; she stands up for what she believes in.
She buries the body and faces the consequences of the crime. And still you had the gall to break this law? Of course I did. It wasn't Zeus, not in the least, who made this proclamation-not to me Nor did that justice, dwelling with the gods beneath the earth, ordain such laws for men.
Nor did I think your edict had such force that you, a mere mortal, could override the gods.
Who has the right of this situation? It is easy to brand Creon a tyrant, though to do so overlooks the reasoning behind his actions. In reality he is being an effective, albeit harsh, ruler. When his niece breaks his law, he has no choice but to punish her as he would any man.
Thus, Sophocles presents a beautifully conflicted situation. There is no longer a discernible sense of right or wrong, only a thin line of morality that separates a tyrant from a man of justice.
And his conviction only gets worse; he refuses to hear what his son and the city the chorus think about the situation. He only sees his narrow-minded sense of justice, and ignores the effects it will have on his loved ones. He has no doubts about his actions, and demonstrates the questionable nature of a cold approach to kingship.
The laws of man are not always right. Something Creon simply cannot perceive. To his mind, he is morally right, a man of good character and a king of honour.
Is this not the most dangerous of leaders? I will take her down some wild, desolate path never trod by men, and wall her up alive in a rocky vault, and set out short rations, just the measure piety demands to keep the entire city free of defilement.
There let her pray to the one god she worships: Or she may learn at last, better late than never, what a waste of breath it is to worship Death.
His hamartia, his tragic flaw in Aristotle terms, is his severe lack of judgement, and his inability to perceive the wrongness of his decree.The True Tragic Hero of Sophocles' Antigone Essay - Antigone: The True Tragic Hero Antigone, is the drama written by Sohpocles.
There is still a great debate on who is the true tragic hero in Sophocles' Antigone, Creon or Antigone. does not suit Antigone’s actual gender role, but instead casts her as a male hero, rhetorically fulfilling her dream of dying an honorable, patriotic death.
Sophocles characterizes Antigone as a woman with the ambitions of a man.
I can identify a tragic flaw in a tragic hero and analyze how it leads to his downfall. I can write a well-developed essay that includes a thesis statement, clear topic sentences followed by specific evidence to support a claim, an analysis of the evidence, and commentary that demonstrates a thorough understanding of the thesis.
Answer: Antigone does not fit the definition of tragic hero according to Aristotle as well as Creon, but Antigone is the true hero and Creon is the anti-hero or villain.
Tragic Hero Uploaded by myusername on Oct 07, Aristotle described a tragic hero as being a person who, through a flaw, in their own character, is brought from a high position and learns to “see the light” before their own destruction. In this manner, Sophocles sympathizes with Creon, and thus Creon becomes the true tragic hero of the Antigone.
Unlike the belief of Jebb, a renowned author and critic of Anigone, Antigone is not the true tragic hero of Antigone.